{"id":2315,"date":"2022-05-25T08:29:12","date_gmt":"2022-05-25T07:29:12","guid":{"rendered":"http:\/\/newopera.se\/?page_id=2315"},"modified":"2025-06-15T19:32:49","modified_gmt":"2025-06-15T18:32:49","slug":"regrets-en-surrealistisk-elektronopera","status":"publish","type":"page","link":"http:\/\/newopera.se\/en\/regrets-en-surrealistisk-elektronopera\/","title":{"rendered":"Regrets &#8211; en surrealistisk elektronopera"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Det \u00e4r tv\u00e5 personer. Den ena har varit d\u00e4r l\u00e4nge. De v\u00e4ntar p\u00e5 n\u00e5got. Det g\u00e5r dagar, m\u00e5nader, \u00e5r. Allt \u00e4r fruset. Vatten, is, tistlar, rosor. Svanar som sl\u00e5ss med tjurar. De pratar. Minns. K\u00e4nner de varandra? Vad \u00e4r det de v\u00e4ntar p\u00e5?<br>Medan tiden g\u00e5r funderar de p\u00e5 vad som egentligen \u00e4r viktigt i livet och dras med i fantasier, dr\u00f6mmar och r\u00e4dslor. Och s\u00e5 en dag, till slut\u2026<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-huvudbild-mini-1024x1024.jpg\" alt=\"\" class=\"wp-image-1322\" srcset=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-huvudbild-mini-1024x1024.jpg 1024w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-huvudbild-mini-150x150.jpg 150w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-huvudbild-mini-300x300.jpg 300w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-huvudbild-mini-768x768.jpg 768w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-huvudbild-mini.jpg 1500w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption>Bild: Beata Ryd\u00e9n<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Regrets \u00e4r en elektronopera som vill utforska vad som h\u00e4nder n\u00e4r sjungen dramatisk text vistas i elektroniska ljudv\u00e4rldar. Dramat utspelas i tre olika rum som f\u00f6rskjuter relationen mellan akt\u00f6r och \u00e5sk\u00e5dare p\u00e5 olika vis.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Regrets handlar om \u00e5nger, om olika livsval, om skuld, om f\u00f6rsoning, om att vi alla skall d\u00f6, och att resan dit g\u00e5r fortare \u00e4n de flesta av oss vill k\u00e4nnas vid.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><em>\u201dDetta \u00e4r den mest \u00e5terh\u00e5llsamma av NewOperas upps\u00e4ttningar, men det \u00e4r ocks\u00e5 den sorgsnaste. Den \u00e5nger som titeln talar om handlar om att f\u00f6rs\u00f6ka s\u00e4tta ihop livet p\u00e5 nytt, med hj\u00e4lp av minnesfragment och dr\u00f6mscener. Det finns en fin och k\u00e4nslig ton i de elektroniska ljudbilderna\u2026\u201d<\/em> Magnus Haglund GP 18 09 23<\/p><\/blockquote><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-tjurar-mini.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-tjurar-mini-1024x1024.jpg\" alt=\"\" class=\"wp-image-1324\" srcset=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-tjurar-mini-1024x1024.jpg 1024w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-tjurar-mini-150x150.jpg 150w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-tjurar-mini-300x300.jpg 300w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-tjurar-mini-768x768.jpg 768w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-tjurar-mini.jpg 1500w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><figcaption>Bild: Beata Ryd\u00e9n<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Regrets p\u00e5 film:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"180928 | Regrets | NewOpera CO\" src=\"https:\/\/player.vimeo.com\/video\/292621451?dnt=1&amp;app_id=122963\" width=\"525\" height=\"295\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Regrets \u00e4r 1 tim 30 min inklusive en kort paus som ing\u00e5r i spelet.<br>Librettot finns att l\u00e4sa <a rel=\"noreferrer noopener\" href=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets-Libretto-web.pdf\" target=\"_blank\">h\u00e4r<\/a>.<br>Processblog med bakgrundsmaterial finns <a rel=\"noreferrer noopener\" href=\"http:\/\/nyoperanregrets.blogspot.se\" target=\"_blank\">h\u00e4r<\/a>.<br>L\u00e4s Magnus Haglunds recension&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/newopera.se\/wp-content\/uploads\/2019\/01\/Recension-Regrets-GP-180923.pdf\" target=\"_blank\">h\u00e4r<\/a>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten-1024x1024.jpg\" alt=\"\" class=\"wp-image-2306\" srcset=\"http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten-1024x1024.jpg 1024w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten-300x300.jpg 300w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten-150x150.jpg 150w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten-768x768.jpg 768w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten-100x100.jpg 100w, http:\/\/newopera.se\/wp-content\/uploads\/2018\/09\/Regrets5_liten.jpg 1500w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/a><figcaption>Bild: Beata Ryd\u00e9n<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Team<br>Niklas Ryd\u00e9n<\/strong>, libretto, musik<br><strong>Saga Bj\u00f6rklund J\u00f6nsson<\/strong>, s\u00e5ng, dramaturgi, aktion<br><strong>Karin Wiberg<\/strong>, s\u00e5ng, synt, violin, aktion<br><strong>Niklas Ryd\u00e9n<\/strong>, s\u00e5ng, synt, piano, aktion<br><strong>Amanda Nordmark<\/strong>, produktion<br><strong>Viktor Wendin<\/strong>, ljusdesign, scenografisk konsult<br><strong>Rasmus Persson<\/strong>, ljuddesign, kompletterande komposition<br><strong>Anna Nordkvist<\/strong>, kostym<br><strong>Eva Ingemarsson<\/strong>, dramaturgi, koreografi, regi<br><strong>Anna Ul\u00e9n<\/strong>, regi<br><strong>Hannes Ryd\u00e9n, <\/strong>ljudassistans  <strong>Dan Tommi Hild\u00e9n<\/strong>, ljudassistans<br><strong>Beata Ryd\u00e9n<\/strong>, foto<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Det \u00e4r tv\u00e5 personer. Den ena har varit d\u00e4r l\u00e4nge. De v\u00e4ntar p\u00e5 n\u00e5got. Det g\u00e5r dagar, m\u00e5nader, \u00e5r. Allt \u00e4r fruset. Vatten, is, tistlar, rosor. Svanar som sl\u00e5ss med tjurar. De pratar. Minns. K\u00e4nner de varandra? Vad \u00e4r det de v\u00e4ntar p\u00e5?Medan tiden g\u00e5r funderar de p\u00e5 vad som egentligen \u00e4r viktigt i livet &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/newopera.se\/en\/regrets-en-surrealistisk-elektronopera\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Regrets &#8211; en surrealistisk elektronopera&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":2306,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2315","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6Z47T-Bl","_links":{"self":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages\/2315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/comments?post=2315"}],"version-history":[{"count":7,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages\/2315\/revisions"}],"predecessor-version":[{"id":2669,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages\/2315\/revisions\/2669"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/media\/2306"}],"wp:attachment":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/media?parent=2315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}