{"id":2464,"date":"2022-11-02T09:43:18","date_gmt":"2022-11-02T08:43:18","guid":{"rendered":"http:\/\/newopera.se\/?p=2464"},"modified":"2022-11-02T09:43:21","modified_gmt":"2022-11-02T08:43:21","slug":"requiem-slapps-pa-skiva-4-november","status":"publish","type":"post","link":"http:\/\/newopera.se\/en\/requiem-slapps-pa-skiva-4-november\/","title":{"rendered":"Requiem sl\u00e4pps p\u00e5 skiva 4 november!"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Den 4 november 2022 sl\u00e4pps Requiem p\u00e5 skiva av Ostron Records.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"936\" src=\"http:\/\/newopera.se\/wp-content\/uploads\/2022\/11\/Requiem-programblad-1024x936.jpg\" alt=\"\" class=\"wp-image-2465\" srcset=\"http:\/\/newopera.se\/wp-content\/uploads\/2022\/11\/Requiem-programblad-1024x936.jpg 1024w, http:\/\/newopera.se\/wp-content\/uploads\/2022\/11\/Requiem-programblad-300x274.jpg 300w, http:\/\/newopera.se\/wp-content\/uploads\/2022\/11\/Requiem-programblad-768x702.jpg 768w, http:\/\/newopera.se\/wp-content\/uploads\/2022\/11\/Requiem-programblad-1536x1404.jpg 1536w, http:\/\/newopera.se\/wp-content\/uploads\/2022\/11\/Requiem-programblad.jpg 1630w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Requiem \u00e4r den katolska sj\u00e4lam\u00e4ssan, en m\u00e4ssa f\u00f6r de d\u00f6da. Den har tonsatts i mer \u00e4n tv\u00e5tusen versioner alltsedan 1500-talet till idag.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nu har Niklas Ryd\u00e9n och NewOpera CO skapat ett helt nytt Requiem f\u00f6r 2020-talet med svenska texter och aktuella \u00e4mnen.\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Den nyskrivna, omarbetade texten handlar om livets \u00e4ndlighet, v\u00e5r dystopiska tid, om ansvar, skuld och f\u00f6rsoning. Det explicit kristna i texten har ersatts med sekul\u00e4ra formuleringar och reflektioner \u00f6ver v\u00e4rldsl\u00e4get idag.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Musiken har vuxit fram i n\u00e4ra samspel mellan <strong>Niklas Ryd\u00e9ns<\/strong> tonsatta texter och k\u00f6rarrangemang, och <strong>Tobias Karlehags<\/strong> elektroniska ljudv\u00e4rldar och slagverkspartier. Musiken har h\u00e4mtat inspiration ur b\u00e5de liturgisk, klassisk repertoar och moderna l\u00e5ttraditoner. M\u00f6tet mellan s\u00e5ng, elektronik, cello och orgel skapar en unik ton.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Niklas Ryd\u00e9n <\/strong>\u00e4r en svensk komposit\u00f6r och konstn\u00e4rlig ledare f\u00f6r den fria scenen Atalante i G\u00f6teborg. F\u00f6r tio \u00e5r sedan, 2006, grundade han <strong>NewOpera CO<\/strong>, en oberoende ensemble som utvecklar alternativa former f\u00f6r musikdramatik. Niklas Ryd\u00e9n har sedan starten skrivit sex helaftons nyoperor och en barnopera. NewOpera CO har uppm\u00e4rksammats f\u00f6r sitt nyskapande arbete och sitt egna sound, i gr\u00e4nslandet mellan konstmusiken och oberoende genrer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tobias Karlehag <\/strong>\u00e4r multiinstrumentalist och ljudkonstn\u00e4r fr\u00e5n G\u00f6teborg. Han sl\u00e4ppte nyligen skivan <em>Process<\/em> d\u00e4r han utforskar ambient och drone genom algoritmiska kompositioner och improvisation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Han \u00e4r ocks\u00e5 verksam som inspelningsproducent och har varit ansvarig f\u00f6r inspelningen av Requiem.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I de elektroniska partierna till Requiem h\u00f6rs tydligt Tobias bakgrund b\u00e5de som slagverkare och elektronmusiker.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Medverkande: Niklas Ryd\u00e9n<\/strong> text, musik<strong> Tobias Karlehag<\/strong> elektroniska komp <strong>Emma Augustsson<\/strong> s\u00e5ng, cello, improvisation <strong>Saga Bj\u00f6rklund J\u00f6nsson <\/strong>text<strong>, <\/strong>s\u00e5ng <strong>Niklas Ryd\u00e9n<\/strong> s\u00e5ng, orgel <strong>Helena Forneg\u00e5rd, Erika Olsson<\/strong> sopran <strong>Mylen Ifter, Lisa P\u00e4\u00e4rj\u00e4rvi, Lydia Sj\u00f6berg<\/strong> alt <strong>Jorge Alcaide, Jan Pettersson <\/strong>tenor <strong>Peter Madsen, Gustav Rohman<\/strong> bas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">F\u00f6rutom som CD-skiva kommer Requiem g\u00e5 att lyssna p\u00e5 via Spotify och liknande tj\u00e4nster.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Den 4 november 2022 sl\u00e4pps Requiem p\u00e5 skiva av Ostron Records. Requiem \u00e4r den katolska sj\u00e4lam\u00e4ssan, en m\u00e4ssa f\u00f6r de d\u00f6da. Den har tonsatts i mer \u00e4n tv\u00e5tusen versioner alltsedan 1500-talet till idag. Nu har Niklas Ryd\u00e9n och NewOpera CO skapat ett helt nytt Requiem f\u00f6r 2020-talet med svenska texter och aktuella \u00e4mnen.\u00a0 Den nyskrivna, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/newopera.se\/en\/requiem-slapps-pa-skiva-4-november\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Requiem sl\u00e4pps p\u00e5 skiva 4 november!&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-2464","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Z47T-DK","_links":{"self":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts\/2464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/comments?post=2464"}],"version-history":[{"count":1,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts\/2464\/revisions"}],"predecessor-version":[{"id":2466,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts\/2464\/revisions\/2466"}],"wp:attachment":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/media?parent=2464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/categories?post=2464"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/tags?post=2464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}