{"id":2467,"date":"2022-11-01T10:02:00","date_gmt":"2022-11-01T09:02:00","guid":{"rendered":"http:\/\/newopera.se\/?p=2467"},"modified":"2022-11-02T10:03:47","modified_gmt":"2022-11-02T09:03:47","slug":"requiem-nypremiar","status":"publish","type":"post","link":"http:\/\/newopera.se\/en\/requiem-nypremiar\/","title":{"rendered":"Requiem nypremi\u00e4r"},"content":{"rendered":"\n

Den 6 november har Requiem nypremi\u00e4r i Biskopsg\u00e5rdens kyrka kl 16. F\u00f6rest\u00e4llningen \u00e4r gratis och det \u00e4r f\u00f6rst till kvarn som g\u00e4ller. L\u00e4s mer h\u00e4r.<\/a><\/p>\n\n\n\n

Den 8-9 november kl 19 spelas Requiem \u00e4ven p\u00e5 Atalante. Biljettbokning kan g\u00f6ras via Atalantes hemsida.<\/a><\/p>\n\n\n\n

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Foto: Beata Ryd\u00e9n<\/figcaption><\/figure>\n\n\n\n

Om Requiem<\/strong> NewOpera CO:s Requiem \u00e4r ett nyskrivet musikdramatiskt verk inspirerat av den katolska latinska sj\u00e4lam\u00e4ssan. Det \u00e4r en ceremoni f\u00f6r v\u00e5r tid d\u00e4r vi m\u00f6ts i ett rum f\u00f6r gemensam reflektion, sorg, omtanke och inre meditation. Den nyskrivna, omarbetade texten handlar om livets \u00e4ndlighet, v\u00e5r dystopiska tid, om ansvar, skuld och f\u00f6rsoning. Det framf\u00f6rs av k\u00f6r, dansare, s\u00e5ngare, elektronik och akustiska instrument i en starkt visuell rumslighet.
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I Requiem samarbetar NewOpera CO f\u00f6r f\u00f6rsta g\u00e5ngen med en k\u00f6r. K\u00f6rmusiken har h\u00e4mtat inspiration ur b\u00e5de liturgisk och klassisk repertoar, men m\u00f6ter ocks\u00e5 elektronisk musik och ljudv\u00e4rldar som f\u00f6r in en annan dimension. J\u00e4mte k\u00f6ren medverkar tre solister, tre dansare och en cellist. Den nyskapade koreografin kommer att st\u00e5 i centrum f\u00f6r den sceniska gestaltningen. Requiem \u00e4r en sekul\u00e4r m\u00e4ssa f\u00f6r alla som s\u00f6ker en f\u00f6rdjupad f\u00f6rst\u00e5else f\u00f6r livets mystik.
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Id\u00e9n att g\u00f6ra ett Requiem f\u00f6ddes 2019. I januari 2020 p\u00e5b\u00f6rjades arbetet, i februari 2020 kom pandemin. Nu har tv\u00e5 \u00e5r passerat i undantagens tecken. Restriktioner har kommit och g\u00e5tt. Som samh\u00e4lle har vi tagit oss igenom en m\u00e4rklig tid, inramad av hotet om sjukdom. Nu ser vi fram emot en ny tid igen, \u00e5r 2022. Kanske har dessa fr\u00e5gor som Requiem tar upp nu blivit \u00e4n mer aktuella?<\/p>\n\n\n\n

Medverkande<\/strong><\/p>\n\n\n\n

Team<\/strong><\/p>\n\n\n\n

Niklas Ryd\u00e9n \u2013 research, text, musik<\/em><\/p>\n\n\n\n

Tobias Karlehag \u2013 elektroniska komp<\/em><\/p>\n\n\n\n

Saga Bj\u00f6rklund J\u00f6nsson \u2013 s\u00e5ngtexter, research, dramaturgi<\/em><\/p>\n\n\n\n

Amanda Nordmark \u2013 produktion, research, s\u00e5ngtext, dramaturgi<\/em><\/p>\n\n\n\n

Birgitta Ryd\u00e9n \u2013 research, teologisk konsultation<\/em><\/p>\n\n\n\n

Eva Ingemarsson \u2013 dramaturgi, regist\u00f6d, musikst\u00f6d<\/em><\/p>\n\n\n\n

Tanja Andersson, Sara Axelsson, Linda Wardal \u2013 research, koreografi<\/em><\/p>\n\n\n\n

Karin Wiberg \u2013 research, improvisation<\/em><\/p>\n\n\n\n

Viktor Wendin \u2013 ljus och scen<\/em><\/p>\n\n\n\n

Rasmus Persson \u2013 ljudrealisering<\/em><\/p>\n\n\n\n

Beata Ryd\u00e9n \u2013 foto, produktion, layout<\/em><\/p>\n\n\n\n

Solister<\/strong><\/p>\n\n\n\n

Emma Augustsson \u2013 s\u00e5ng, cello, improvisation<\/em><\/p>\n\n\n\n

Saga Bj\u00f6rklund J\u00f6nsson \u2013 s\u00e5ng<\/em><\/p>\n\n\n\n

Niklas Ryd\u00e9n \u2013 s\u00e5ng, orgel<\/em><\/p>\n\n\n\n

Karin Wiberg- s\u00e5ng, violin, improvisation (2022)<\/em><\/p>\n\n\n\n

K\u00f6r 2020 fonogram<\/strong><\/p>\n\n\n\n

Helena Forneg\u00e5rd, Erika Olsson \u2013 sopran<\/em><\/p>\n\n\n\n

Mylen Ifter, Lisa P\u00e4\u00e4rj\u00e4rvi, Lydia Sj\u00f6berg \u2013 alt<\/em><\/p>\n\n\n\n

Jorge Alcaide, Jan Pettersson \u2013 tenor<\/em><\/p>\n\n\n\n

Peter Madsen, Gustav Rohman \u2013 bas<\/em><\/p>\n\n\n\n

Dansare<\/strong><\/p>\n\n\n\n

Tanja Andersson, Sara Axelsson, Linda Wardal<\/p>\n\n\n\n

K\u00f6r<\/strong> 2022<\/strong><\/p>\n\n\n\n

K\u00f6ren KLUSTER<\/strong><\/p>\n\n\n\n

Helena Forneg\u00e5rd \u2013 dirigent<\/em><\/p>\n\n\n\n

Maria Gepertz, Maria Nordbring, Joanna Casen, Hel\u00e9n Svensson \u2013 sopran<\/em><\/p>\n\n\n\n

Linda Olsson, Michaela Westlund, Anki Kallenberg, Kristina Engstr\u00f6m, Karin Wiberg \u2013 alt<\/em><\/p>\n\n\n\n

Jens M\u00f6ller, Kaspar Helld\u00e9n \u2013 tenor<\/em><\/p>\n\n\n\n

Carl Borgentun, Michael Schneider, Peter Madsen \u2013 bas<\/em><\/p>\n\n\n\n

F\u00f6rest\u00e4llningen g\u00f6rs med st\u00f6d av Kulturr\u00e5det och G\u00f6teborgs
.<\/p>\n","protected":false},"excerpt":{"rendered":"

Den 6 november har Requiem nypremi\u00e4r i Biskopsg\u00e5rdens kyrka kl 16. F\u00f6rest\u00e4llningen \u00e4r gratis och det \u00e4r f\u00f6rst till kvarn som g\u00e4ller. L\u00e4s mer h\u00e4r. Den 8-9 november kl 19 spelas Requiem \u00e4ven p\u00e5 Atalante. Biljettbokning kan g\u00f6ras via Atalantes hemsida. Om Requiem NewOpera CO:s Requiem \u00e4r ett nyskrivet musikdramatiskt verk inspirerat av den katolska … <\/p>\n

Continue reading “Requiem nypremi\u00e4r”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-2467","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Z47T-DN","_links":{"self":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts\/2467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/comments?post=2467"}],"version-history":[{"count":2,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts\/2467\/revisions"}],"predecessor-version":[{"id":2469,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/posts\/2467\/revisions\/2469"}],"wp:attachment":[{"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/media?parent=2467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/categories?post=2467"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/newopera.se\/en\/wp-json\/wp\/v2\/tags?post=2467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}