{"id":169,"date":"2012-02-10T23:47:31","date_gmt":"2012-02-10T22:47:31","guid":{"rendered":"http:\/\/newopera.se\/?page_id=169"},"modified":"2022-11-09T12:01:24","modified_gmt":"2022-11-09T11:01:24","slug":"nyoperamanifestet","status":"publish","type":"page","link":"https:\/\/newopera.se\/en\/om-nyopera\/nyoperamanifestet\/","title":{"rendered":"Nyoperamanifestet"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u2022 Att utg\u00e5 fr\u00e5n moderna dramatiska ber\u00e4ttelser, g\u00e4rna med en vardaglig ton.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Att all dialog skall sjungas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Att texten skall vara enkel att h\u00f6ra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Att s\u00e5ngarna inte anv\u00e4nder operateknik utan sjunger med teknik och klang som ligger n\u00e4rmre det talade spr\u00e5ket.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Att det finns ett v\u00e4xelspel mellan arior och recitativ.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NewOpera Manifest:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 To&nbsp;use&nbsp;modern dramatic stories, preferably with a casual tone.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 That all&nbsp;dialogue should &nbsp;be sung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 That the&nbsp;text should be easy to hear.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 That the singers do not use classical opera technique, but sings with a&nbsp;sound that is closer to the spoken language.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 That there is an interaction between the arias and recitatives.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 That\u00a0swedish is the language.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 Att utg\u00e5 fr\u00e5n moderna dramatiska ber\u00e4ttelser, g\u00e4rna med en vardaglig ton. \u2022 Att all dialog skall sjungas. \u2022 Att texten skall vara enkel att h\u00f6ra. \u2022 Att s\u00e5ngarna inte anv\u00e4nder operateknik utan sjunger med teknik och klang som ligger n\u00e4rmre det talade spr\u00e5ket. \u2022 Att det finns ett v\u00e4xelspel mellan arior och recitativ. NewOpera &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/newopera.se\/en\/om-nyopera\/nyoperamanifestet\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Nyoperamanifestet&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":1936,"parent":155,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-169","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6Z47T-2J","_links":{"self":[{"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages\/169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/comments?post=169"}],"version-history":[{"count":11,"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages\/169\/revisions"}],"predecessor-version":[{"id":2492,"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages\/169\/revisions\/2492"}],"up":[{"embeddable":true,"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/pages\/155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/media\/1936"}],"wp:attachment":[{"href":"https:\/\/newopera.se\/en\/wp-json\/wp\/v2\/media?parent=169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}